bell hooks and the Question of Beyonce’s Feminism; or Ways to Be Awesome
Yesterday, the ubiquitous “Book of Faces” (FB) and other social media were all atwitter over something the well-known author and theorist bell hooks said at a three-day event about race, gender, and body-image hosted by The New School in New York — everyone’s favorite pop star diva Beyoncé a terrorist?… A terrorist?!?!… Bloggers from wannabe-hipster gossip sites such as Gawker to fashion magazines such as Elle to feminist sites such as Jezebel immediately jumped on the bandwagon, probably hoping that the provocative headline would gain for them that ever-so-ethereal cyber audience.
Before I had a chance to actually read the blog-o-story, when I first saw the headline, I wrongly assumed that bell hooks was giving Beyoncé a compliment, as I immediately thought of Beyoncé’s video: “Run the World (Girls)“:
One might think of other videos of hot feminist badaaasssery such as Beyoncé’s “Superpower” and M.I.A.’s “Bad Girls” which all present images of women kicking ass and taking names, Pam-Grier style. So, this is what I thought bell hooks was talking about, and I was all, like, “hellz yeah!!!”
But then I started to read the articles, and apparently that’s not at all what bell hooks meant (oops, my bad!) Rather, she was raising questions about Beyoncé’s style of feminism and her tactical deployment of a hyper-sexualized body as potentially damaging to the self-image of young girls (specifically in reference to Time Magazine’s featuring her in a bathing suit on the cover of their issue about the world’s 100 most influential people.) In other words, what I think bell hooks was referring to is the very real “terror” that young girls feel when confronted with bullying from their peers regarding the way they look. I did not finish reading any of the blog posts because they were all so shallow and mean-spirited, and they all reminded me of the SNL skit about the government Beygency that hunts down a poor schmuck for committing the party foul of admitting he didn’t love everything about Beyoncé:
Can I admit that I don’t love everything about her either? But I do think she’s pretty awesome. And I also think bell hooks is awesome. So, given that I think both women are awesome, instead of reading the blog-o-crap any further, I skipped ahead to the video of the actual conversation (the “actual” always being so often remarkably different from what bloggers and journalists say to get a rise out of their audiences), and my wife and I had a very enjoyable evening listening to four awesome women — bell hooks, Janet Mock, Shola Lynch, and Marci Blackman — discuss among themselves and with a very engaged and intelligent audience a variety of complex and personal perspectives about gender, sexuality, race, violence, body image, and “what a body can do” (as the philosopher Judith Butler famously put it, in contrast to the essentializing pigeon-holing approach of traditional philosophy that asked “what a body is.”) You can all watch it too by clicking [here] or below:
The conversation among themselves and with the audience was full of humor and mutual respect as well as serious critical thinking, concern for the well-being of others, and deep personal involvement as they worked toward imagininng an alternative to the sort of media imagery that objectifies black women’s bodies and presents impossible standards of beauty. They discussed the movie 12 Years a Slave, SNL comedy, and — most of importantly — the work of the panelists, such as the movie Free Angela and All the Political Prisoners by Shola Lynch, the memoir Redefining Realness by Janet Mock, and the novel Po’ Man’s Child by Marci Blackman as well as their personal experiences as politically active, queer, transgender, and black women. I was so impressed that I began to imagine my teaching an entire course syllabus around this one panel event. One woman in the audience was in tears sharing her own experience as well as her gratitude to the panel for the support and safe space fostered by the event. Noticeably, in contrast to the blog-o-sphere and social media, not a single person in the audience during the 50 minutes of Q&A seemed the least bit concerned by bell hooks’s comment about Beyoncé. So, considering how her image and her style of feminism was discussed and debated in complex, thoughtful ways among the four panelists and the audience, it is interesting how the safe, supportive space of the panel discussion was transformed into bitchy nonsense by social media.
But beyond the confines of that singular event and its commodification by the blog-o-sphere, the question of Beyoncé’s feminism interests me, in part because as a teacher I find her extremely useful in the classroom for drawing students into debates about feminism, challenging their stereotypes about feminists as man-hating ugly women, and pushing students to think about why they enjoy what they enjoy. For example, because this semester I was teaching the famous Nigerian novelist Chimamanda Ngozi Adichie, I played for my class Adichie’s lecture “We Should All Be Feminists” as well as Beyoncé’s song “Flawless” that samples a full minute from that lecture (practically one fourth of the song):
The conversation among my students last month was similar to the one brought up by bell hooks, Janet Mock, and one of the members of the audience: how do we negotiate the positive work we see Beyoncé doing for feminism and women’s empowerment and the negative commodification of her body and debilitatingly impossible standard of beauty it presents to young girls? The “Flawless” music video, it seems to me — rather than being naive or unaware of this dialectic of opposing ideas — very deliberately and self-consciously puts this dialectic in play for us to work out. The song and the video puts the question back on us, for us to imagine ways to be authentically awesome.
But what do you all think? Thoughts?
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